I am interested in the relationship between moving images and sound, particularly the ways multisensory integration and temporal shifts can occur through juxtapositions of the two, often promoting ecstatic or highly personal responses. My practice extends to live performance, studio projects, workshops and residencies.

My performance work is improvisational, typically through collaboration with other filmmakers or musicians. As a composer, I am drawn to stringed, percussion, keyboard and electronic instruments, as well as magnetic tape experiments and field recording. With filmmaking, I incorporate found, archival and original material, encouraging the interplay between personal, nostalgic and cultural themes.

As far afield as Davis may go in his works, the listener never feels completely removed from some hint of melodic structure. Often it’s vague, more a memory than something tangible, but it still exists. This lets the work stand up to close examination, and it consistently reveals itself to be deeply intricate while pushing at its own borders. - Hypnagogue.net

I also manage Bimodal Press, a tiny publication outlet that highlights San Francisco Bay Area experimental music, film and related ephemera. The label also serves as a home to both the Gravity Spells I and Gravity Spells II projects, and is committed to ongoing collaborations with Bay Area media artists, musicians and writers.