My continued focus is on the relationship between moving images and sound, and the ways multisensory integration and temporal shifts occur through juxtapositions the two, often promoting ecstatic or highly personal responses. My practice extends to live performance, studio projects, collaboration, workshops and residencies.

As a performer I emphasize improvisation and chance, typically through collaboration with other filmmakers or musicians. As a filmmaker, I often incorporate archival, found and original footage, encouraging the interplay between personal, nostalgic, cultural and ecstatic themes. As a sound artist and composer, I am drawn to stringed, percussion, keyboard and electronic instruments, as well as magnetic tape experiments and field recording.

As far afield as Davis may go in his works, the listener never feels completely removed from some hint of melodic structure. Often it’s vague, more a memory than something tangible, but it still exists. This lets the work stand up to close examination, and it consistently reveals itself to be deeply intricate while pushing at its own borders. - Hypnagogue.net

I also manage Bimodal Press, a tiny publication outlet that highlights San Francisco Bay Area experimental music, film and related ephemera. The label also serves as a home to both the Gravity Spells I and Gravity Spells II projects, and is committed to ongoing collaborations with Bay Area media artists, musicians and writers.