With investigation into various formats of media technology, I am predominantly interested in the interplay of moving image and sound. My practice extends to performance, studio projects, collaboration, workshops and residencies.

My live work emphasizes serendipity, improvisation and chance, with collaborators including Lawrence Jordan, Craig Baldwin, Paul Clipson, Kerry Laitala, Mary Helena Clark, Joshua Churchill, Suki O'kane, Maxwell August Croy, Chris Duncan, Tooth (arc), Linda Scobie, Peter Whitehead and Keith Evans among others.

Incorporating archival, found and original footage, my single-channel films celebrate the interplay of personal, nostalgic, cultural and ecstatic themes.

As a sound artist/musician, I am drawn to field recording, magnetic tape experiments, stringed, percussion, keyboard and electronic instruments.

As far afield as Davis may go in his works, the listener never feels completely removed from some hint of melodic structure. Often it’s vague, more a memory than something tangible, but it still exists. This lets the work stand up to close examination, and it consistently reveals itself to be deeply intricate while pushing at its own borders. - Hypnagogue.net

I also manage Bimodal Press, a tiny publication outlet that highlights San Francisco Bay Area experimental music, film and related ephemera. The label also serves as a home to both the Gravity Spells I and Gravity Spells II projects, and is committed to ongoing collaborations with Bay Area media artists, musicians and writers.